Tag Archives: Margaret Atwood

The Edible Woman: A Tasty Treat

24 May

Marian is a young working woman, leading a seemingly normal life. She’s educated, has a steady job, and a handsome fiance. But something is eating Marian up. Set in the 1960s, The Edible Woman is a story about a woman who refuses to be “eaten up” by society and the men who control her. And in an effort to rid herself of these social constraints, Marian begins to slowly starve herself. Her rejection of food is a rejection of society. As Marian observes the world around her and begins to realize her fate, she shuts down. But Marian will not be devoured.

I randomly picked up The Edible Woman in a bookstore, browsing through the titles of Atwood’s novels. It is no surprise that the title of The Edible Woman caught my eye. Part One of the novel is narrated in first person by Marian. We learn how she is living with a room mate, Ainsley, on the upper floors of the home of the conservative and nosy “woman down below.” Marian works as an interviewer, collecting data from consumers about various products. While on the job, Marian meets a graduate student, Duncan, who makes her question herself and the the life that she is about to lead as a wife. Peter, Marian’s fiance, is well meaning, but is unknowingly eating Marian up inside. As the novel progresses, Part Two is no longer in the voice of Marian, but is narrated in third person, signifying the loss of control that Marian is experiencing in her life. And it only until the end of the novel that Marian gains her voice once again.

I was pleasantly surprised by this novel, and in many ways, The Edible Woman was very ahead of its time. Atwood explores societal roles and its effects upon women, mainly in the form of anorexia. During the 1960s, anorexia was a disease that was not as in the spotlight as it is today. Yet, Marian’s anorexia is less in response to body image, but more of a response to a societal image that Marian rejects. Atwood deals with this form of anorexia cleverly. As Marian’s wedding date comes closer at hand, Marian slowly begins to stop eating, and is eventually unable to stomach anything. Ultimately, what Marian is unable to stomach is a life as wife. But, Marian is able to gain her independence back by refusing to accept a life in which she would loose a complete sense of self.

My favorite part of the story, and which really brought the whole novel together, was when Marian bakes a cake in the form of a woman and tries to give it to her fiance, Peter. But Peter refuses to eat the cake, symbolizing his inability to “eat” Marian up. Marian eventually eats the cake herself, having escaped before society made a meal out of her. I would highly recommend The Edible Woman for anyone interested in a story that explores women’s roles and the effects of those roles on women. The Edible Woman is a testament to Atwood’s amazing writing ability as well. Her writing is crafted in a manner where there is great attention to detail. Along with being an intriguing story, Atwood’s novel is highly reflective and symbolism is seemlessly embedded within the story.

I also found, after reading The Edible Woman, how amazingly diverse a writer Margaret Atwood is. She is not held down by a specific genre or period of time. Her novels explore so many facits of humanity, and she is just brimming with creativity. One of the greatest writers of our time. Obviously there will be more Atwood to come for me!

Alias Grace by Margaret Atwood

5 May

Sometimes I whisper it over to myself: Murderess. Murderess. It rustles, like a taffeta skirt along the floor.

Nancy Montgomery and Thomas Kinnear lie dead in a cellar. Grace Marks and James McDermott have escaped to America and are in a hotel room under aliases.  Grace and McDermott are discovered, taken back to Canada and convicted of the murders of Nancy Montgomery and Kinnear. McDermott is hanged while Grace is sentenced to the Penitentiary. Dr. Jordan is assigned to get inside Grace’s head, in order to determine her innocence. But can Grace’s innocence be proven? Or will there always be a mystery surrounding the murders? As the line between reality and memory become blurred, Atwood weaves a perplexing tale of murder, innocence lost, and conflict among social classes.

Alias Grace is based off of the infamous true story of Grace Marks, who was convicted of murder at the age of 16. She was eventually exonerated after 30 years in a Canadian Penitentiary. Atwood takes the tale of Grace Marks and adds her own spin to the story, while at the same time holding onto the facts.

Atwood’s writing is engaging and personal. As Atwood tells Grace’s story in first person, the reader takes part in a narrative that is both revealing, yet shrouded in mystery. The reader learns of Grace’s journey from Ireland to Canada, her friendship with Mary Whitney, and her time spent as a servant for Thomas Kinnear, all leading up to the murders. All of these tales intertwine seamlessly, but Grace’s memory can only tell us so much. At the most crucial points in each story, Grace’s memory fails her, leaving out part of the story that can never be known. Despite whether Grace is innocent or guilty, she is a likable and endearing character, and Atwood’s narrative of Grace Marks is intimate and haunting. Is the truth ever revealed, or are we left to our own devices in interpreting this intricate tale?

Atwood is one of the greatest authors of our time, and Alias Grace is a testament to Atwood’s amazing storytelling abilities. I would highly recommend Alias Grace and I intend to read more of Atwood’s novels in the future.

The reason they want to see me is that I am a celebrated murderess. Or that is what has been written down. When I first saw it I was surprised, because they say Celebrated Singer and Celebrated Poetess and Celebrated Spiritualist and Celebrated Actress, but what is there to celebrate about murder All the same, murderess is a strong word to have attached to you. It has a smell to it, that word—musky and oppressive…

Follow

Get every new post delivered to your Inbox.